After arriving in Paris, she decided not to return home, tired of the weight of tradition and the turn of events in her native country. Moyens de paiement Amazon. Kindle Direct Publishing Auto-publiez facilement vos livres au format numérique. Les membres Amazon Prime ont également accès à la livraison gratuite en 1 jour ouvré sur plus de 2 millions d’articles mais aussi à la livraison gratuite en 2 jours ouvrés sur 3 millions d’articles supplémentaires et à des films et séries sur Prime Video et à Prime Music. Jinger Mama sur Djazaïr Johara.
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Courte à longue Durée: She was accompanied by three friends on vocals and percussions, and she became known throughout southwest Algeria. Sa générosité et sa voix réchauffent instantanément le hall gris et les âmes blessées. Bouri Bouri Manandabo sur Djazaïr Johara. How has that changed the way you approach or make music? Un problème s’est produit lors du chargement de ce menu pour le moment. Elle est belle, lumineuse, pleine de grâce.
Hasna El Becharia is an oasis in a desert, an exceptional person in a world of men. A women with a strong, independent and free character, she plays Gnawa music that, traditionally, only men are allowed to practise. For a long time, she played only for those around her but, by chance, she finally agreed one day to sing and play outside her community.
And she was nearly 50 years old! Born, as her pseudonym suggests, in Béchar, a strategic city in the Algerian Sahara just a hop, skip and a jump from Morocco, Hasna learned everything from her father.
He was a master of the highly codified diwan, a black form of Sufism forged by descendants of sub-Saharan slaves in white Africa. The young girl endured sarcasm and reprimands, but the heady Gnawa beat never left her.
Hasna el Becharia
She also learned to play the guembri, a traditional bass from the Sahara with three gut strings, and later the acoustic and electric guitar. In everyday life as well, Hasna was a free woman.
She welcomed wives rejected by hasma husbands, spent time among marginalized people, and led an unbounded life in a city crippled by stifling traditions. Women, many of whom admired her independence, called upon her to enliven wedding or engagement ceremonies. She was accompanied by three friends on vocals and percussions, and she became known throughout southwest Algeria.
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During these years, time and again, she resisted various pressures and whatnot, but when the Paris venue Le Cabaret sauvage invited her as part of the Femmes d’Algérie festival inshe agreed to go. After arriving in Paris, she decided not to return home, tired of the weight of tradition hassna the turn of events in her native country.
Inshe brought out her first disc, recorded in Paris, Djazaïr johara Algeria, precious stoneurging contemplation of the great names of religion and self-giving, in hasja deep, quiet voice. Back in Bechar, her home town that she no longer wishes to leave, she put out her second album, Smaa Smaa, in Accompanying her guembri with guitar, violin and percussions, Hasna El Becharia promotes and renews Gnawa music while remaining faithful to it.
Her lyrics are filled with divine adoration, love of others and Sufi poetry.
RFI Musique – – Algerian music – Hasna el Becharia, a free spirit
Now 60 years old, this musician and performer continues to astonish with the intensity mueic her singing and lyrics, most likely because all the women of the Sahara are expressing themselves through her. She represents a wind of freedom that goes well beyond musical performance. Concerts à l’année en. Going into exile to shine internationally In everyday life as well, Hasna was a free woman.
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